References
Home > Vol. 8 Issue 4 > Article 2 > References >

 

A Feminist Reading on the Exploration of Female Identity and Sexuality in Sri Lankan Cinema: A Case Study of Asoka Handagama’s Selected Works

 

N.K.H.T. Sankalpani and H.A.M.A. Hapugoda

References

Chaudhuri, S. (2006). Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. New York: Routledge.
Dinia, S. (2016). Women in Contemporary Moroccan Cinema. Journal of Middle East Media, 40-59.
Dutt, R. (2014). Behind the Curtain: Women's Representations in Contemporary Hollywood. London: MediaLSE.
Fonseka, S. L. P. (2014). Silence in Sri Lankan cinema from 1990 to 2010 (Master's thesis, University of Sydney).
Foucault, M. (1973). The Birth of the Clinic. London: Routledge.
Foucault, M. (1977). Discipline and Punish: The Birth of the Prison. New York: Pantheon Books.
Handagama, A. (2006, May 30). (P. Wijesiriwardene, Interviewer)
Handagama, A. (2011). (Y. A. Television, Interviewer)
Handagama, A. (2011). (Y. A. Television, Interviewer)
Handagama, A. (2019, June 17). (N. Sankalpani, Interviewer)
Handagama, A. (Director). (2002). Thani Thatuwen Piyambanna [Motion Picture].
Handagama, A. (Director). (2005). Aksharaya [Motion Picture].
Hapugoda, M. (2016, May 12). Contradictory Discourse about Three Discourses, Three Subjects: ‘Let Her Cry’…. Thrimana. Retrieved from 3mana.com/පන්ති-අරගලයසිනමාව-සහ-පක්ෂය/
Hapugoda, M. (2019, March 23). අසන්ධිමිත්තා ගැන වසඟකාරී විචාරයක්. Retrieved from Youtube: https://www.youtube.com/watch?v=HBy-hyWtSeU
Harischandra, N. (2019, May 8). (N. Sankalpani, Interviewer)
Janadare, A. (2019, April 25). (N. Sankalpani, Interviewer)
Kaplan, E. A. (1983). Women and Film: Both Sides of the Camera. London: Methuen.
Lacan, J. (1964). The Four Fundamental Concepts of Psychoanalysis. London: Penguin.
Lacan, J. (1978). The Four Fundamental Concepts of Psychoanalysis. New York: Norton.
Lacan, J. (2006). Ecrits: The First Complete Edition in English. (B. Fink, Trans.) New York: W.W. Norton and Company.
Ma, Y. (2015). Lacan on Gaze. International Journal of Humanities and Social Science, 125137.
Manuratne, P. (2016). Asoka Handagama's Let Her Cry : A Cry for a Radical Feminist Cinema. Social Scientists' Association.
Mulvey, L. (1975). Visual Pleasure and Narrative Cinema. Screen.
Mulvey, L. (1989). Visual and Other Pleasures. London: Macmillan.
Mulvey, L. (1989). Visual and Other Pleasures. London: Macmillan.
Salecl and Zizek. (1996). gaze and voice as love objects. London: Duke University Press.
Senevi, H. S. (2015). Lankeya Cinamawe Susamadarsha Maruwa. Nugegoda: Sarasavi Publishers.
Siano, E. M. (1975). Feminist Politics and Film Criticism in Women and Film. Iowa: Iowa State University.

Silverman, K. (1988). The Acoustic Mirror: Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press.

General Information

ISSN: 2279-3933
Frequency: Quartely
Editor-in-Chief: Dr KH Ramanayaka
Managing Editor: Dr EHGC Padmasiri

Executive Editor:Prof. Donald L.Horowitz                               Prof. Upali Pannilage                               Prof. R Seneviratne

                              Prof. SLJ Fernando

Language Editor: Mr. R.M.Wijayawardhana
Web Administer: Mr. Samitha Udayanga
Abstracting/ Indexing: Google Scholar, SJOL
E-mail: jsshr@hss.ruh.ac.lk